Thursday, November 11, 2010



The Prowler



When the sun goes down the prowlers come out. I know this from personal experience, spending many a night's surveillance of our neighborhood. We don't live in the seedy districts of the city--where all the criminals lurk, their photos flashing at us from the television--but I am convinced our comfortable suburb is hunting grounds for a most elusive law-breaker. Although I have never seen this man, I have a description of him that will single him out from all the rest of the thugs: he is invisible. Oh, now I am sure that if the sun were up and he were standing right before my eyes, I would see him perfectly--even without my binoculars (for you see, I have found binoculars excellent for scanning the shadows between the houses at night). But after four years of constant sleepless nights, I have come to know him like I know my own wife.
         The trouble with Mister Prowler began when my wife and I were married early in October. She moved into my little house and commenced proper decoration. Three weeks later the adventure began. It was a weekend night and I was asleep. My wife, a nocturnal woman, was up watching television. Suddenly she shook me from the bed, her eyes wide and her words fighting from her throat.
"There's somebody in the back yard!" she breathed. I could feel her heart pounding through her veins, so I hastily slipped on my jeans to defend her and our home. Armed with an aluminum baseball bat, I crept into the darkness of the back yard. But after a thorough investigation of the perimeter and detached garage, I was convinced the prowler was long gone. I had to stay up with my wife until she settled down. She explained she had heard somebody walking through the leaves just outside the kitchen window. The next day the sun rose and everything was fine. I was convinced my wife had been watching another slasher movie.
Now if this had been the only incident, I would have dismissed the idea of crime in our neighborhood. Police in this town really have to look for a bust--jaywalkers, expired tags, driving fifteen in a thirty-five zone--and rarely get called to a scene of real action. So when it happened again--not just once more, but several times a week--I told my wife not to wake me unless something really happened. I hoped she would overcome her ridiculous fear. But she was adamant--somebody was sneaking about the house at night--and I too got suspicious.
Since I am usually in bed by ten, I have been unable to witness any of the strange occurrences at night. And if my wife were normal (by this I mean "awake by day, asleep at night"), the prowler might have had more time to get away with whatever evil he was attempting. I was indeed surprised that he continued to harass our home; my wife has very good ears, and I became quicker and quicker to wake, my instincts sharpening my skills at putting my pants on and grabbing the bat (I still cannot rid myself of this habit when the alarm goes off in the morning). Yet I was getting frustrated, and not only because neither the police nor I could yield a suspect (I no longer recommend calling the police: after the seventh visit, they rarely even show up). Even more discouraging was that I had yet to catch glimpse of this prowler or uncover a single shred of hard, physical evidence. It was time to play the prowler's game.
Last summer, the prowler disturbed my wife's peace one time too many. I was ready for him. In the back yard--his favorite lurking place--I rigged up traps: fishing string stretched across the lawn to yank pots into washtubs; motion detectors that could flood the city with blinding light; tomato stakes driven into the ground at strategic locations; wiring attached to the top of the fence, electrically charged by a tractor battery; and a chow trained to bite before barking. I got home from work and took a long nap to prepare for the night ahead. As the sun fell behind the skyscrapers of downtown, I assumed my station, a platform in the oak tree.
I had built this structure from plans in a United States Marine Corp Survival Skills manual and it provided maximum concealment, vigil of the entire sector, and a position from where I could make immediate offensive movements in any direction. Wearing camouflage fatigues, I was virtually invisible. Even my wife, who has perfect vision, could only see me through binoculars. From the kitchen window she could use the flashlight to signal emergency, or if the baseball team scored.
Monday, the first night of my operation, nothing happened except that one of the pots (balanced on the birdbath) fell into a washtub. Tuesday night, the mosquitoes located my hiding spot. By Wednesday night, Sinclair the watchdog was lonely, and he paced at the base of my tree, or barked up at the crinkling of my potato chip bag. After work Thursday I was unable to take my nap; the gentleman next door had shocked himself on my fence and I had to remove the wiring while he watched angrily, pruning shears in hand. But Friday night I resumed my watch--only to have a windstorm ceaselessly trigger the motion detector. The floodlights blinded my eyes, and as I started to go inside for the night, my foot caught a tomato stake and I was left with a nasty cut on my shin and a visit to the emergency room.

Our neighbors heard about my battle against crime and they were inspired to join the effort. By the following spring all of the houses on our block were equipped with home security systems. Big watchdogs became popular. My wife held weekly crime-watch meetings at the church. Soon the prowler was no longer heard from, and my wife began to relax. She was cured of her sleep disorder and could retire at decent hours; now that the neighborhood was safe, there was no need for her to stay up and watch.
A month ago I gave up crime fighting. I'd already done my part--four years of bad sleep and three thousand dollars of home security equipment. Finally I took down all the gadgetry and sold it at the pawnshop. As I laid myself down for the night, I said, "Tonight I will sleep. The prowler is off to quieter neighborhoods." But as my eyes began to close, my sleep was broken by the sudden brightness of half a dozen floodlights. Dogs exploded into a cacophony of angry baying. Neighbors lurched open their windows and called to each other.
Peering across the bed at my wife, I saw she was fast asleep. I could not sleep.
And still tonight I cannot sleep, the floodlights flashing, car alarms wailing in the night, dogs barking. It is the same every night, except nobody pays attention to it all. If there's ever a night that none of these home protections are set off, then perhaps somebody would investigate. But no such luck for me, the vigil continues.
As my wife snores beside me, I pray for sleep. And I pray to God to exchange it all--the motion detectors, the floodlights, the alarms, the dogs--and give us back our gentle prowler.

Friday, July 9, 2010

THE REAL ESTATE BUYER'S DICTIONARY




Here's a guide to some of the lingo you'll find in real estate ads, and the explanations of what they really mean. Not included are superlative words so common in this field: words like “Super”, “Wonderful”, “Great”, and my favorite, “Unbelievable”. Usually, these ads are truly unbelievable.







  • Accessible: don't be fooled by this word. What it really means is that if it is accessible, it's darned difficult to do so. An “accessible attic” means you need a ladder and a prayer.





  • Adorable: This means it's cute like your grandmother's house was....nice place to visit and get some free cookies, but do you wanna actually live here? Shit no!





  • Alley access: the only access to the house is via the alley, or it means there is a metalworking shop right behind your house.





  • Antique: old, needs to be replaced. Almost anything described as antique on a real estate ad has no purpose in your next home other than to be removed and updated.





  • Appliance that stays: this appliance was so useless to the owners that they won't bother taking it, and it can't be sold, or is 30 years old and heavier than a truck. I once got a 1930s refrigerator made by International Harvester in this way.





  • As is: rent a bulldozer and start over.





  • Bohemian: this is a dodgy way of saying “weird”. The walls are probably painted teal and fuschia, and the tile-work in the bathroom was designed to express Bob Marley's countenance.





  • Charming: can either mean that you should surgically remove your elbows before attempting navigation through this hovel, or it has been “decorated” by an old woman for fifty years.





  • Clean: I should hope so. When this is one of the featured comments in a real estate ad, then be prepared for disappointment. This is like describing a blind date as “nice”.





  • Close to: next to. A house "close to" the grocery store is adjacent to the store's back lot where you can watch the employees load the dumpster with cardboard boxes full of rotten vegetables.





  • Compact: useable only by humans back when they were four feet tall.





  • Convenient: it's in the way.





  • Cottage: cramped house, not for the claustrophobic or people who can't fly in the economy seating.





  • Could be easily: it isn't easy or it would already have been done.





  • Could be rented: you don't want to live here, nor does anybody else unless it's free.





  • Could be used as: this is a worthless space suitable only for storage space.





  • Country living: nobody uses this to describe a house out in the country. It's likely next to a landfill, a penitentiary, down in a flood zone, or some other piece of land in the city that should not be used by humans. The gravel road is not quaint; it's full of pot-holes and will paint any vehicle a drab gray most of the time.





  • Cozy: this word is supposed to mean “comfortable”, but in real estate lingo, it means the opposite—cramped. Doll furniture will fit in this house.





  • Cul-de-sac: this means you will have a yard shaped like a slice of pizza or a wedge of pineapple. Mowing will be a delight!





  • Custom: the owners tried their hand at something new. It is new, and it's awful.





  • Cute: See “Cozy”. A woman or homosexual man wrote this advert.





  • Darling: this ad was written by an emotionally clingy person who has no business selling houses to anybody but vulnerable old women.





  • DIY: it means “good luck”.





  • Dream home: I hate it when other people think they know my dreams. Most “dream homes” I've seen were more in the lines of Nightmare on Elm Street. Don't let people tell you what should be in your dreams. This also can mean you'll need to do a lot of dreaming to figure out how to make this home liveable.





  • Easy access: see “accessible”. This also can mean that you will need to deadbolt the backdoor which opens to an alley where drug dealers and prostitutes sell their wares.





  • Eclectic: Willy Wonka lived here.





  • Edge of town: the edge of town is where the landfill and other noxious facilities are located.





  • Efficient: a very clever way to describe a tiny, uncomfortable house. Because the house is better suited for Barbie, it will only cost you a few dollars to heat and cool it.





  • Faux: beware of French words always. Americans have been trained to accept the French language as classy. There is a reason why the writer of this ad didn't say FAKE.





  • First thing mentioned: notice the first word, and the first sentence of the ad. This is the best thing about the house. “Nice big yard”...okay, so it's time to rent the bulldozer.




  • Fixer-upper: this also requires the bulldozer.





  • Former splendor: the idea is that if you sink a lot of money into this property, you can make it as beautiful as it was during the Lincoln administration. Save your money and visit a museum instead.





  • Freeway: any mention of the freeway or highway means it's right there in your back yard. This is not an asset unless you're deaf and can't stand driving on side roads.





  • Fresh paint: it needed paint badly, and quickly. The owners paid the least amount of money to hide the ugly truth.





  • Fruit trees: these are likely old mulberry trees that grew up in the fence row.





  • Garden: if this is a vegetable garden, and you like that sort of thing, great; however, if it's a flower garden, this is like underwear. No matter how pretty it was for the previous owner, you will never like their choices, styles or color.





  • Great neighborhood: one person's dream is another person's nightmare. Some people enjoy snoopy, pretentious neighbors who judge you by how often your grass is mowed; others think it's “charming” to live next to Bohemian pot-smoking artists in dreadlocks.





  • Greenery: weeds, plants you don't want.





  • Handyman Special: probably a brand of bulldozer.





  • Hilltop: they never mention the wind.





  • Historic: unless it's on the Historic Landmarks Registry, this house is just old.





  • Hobby room: unfinished room probably best used for storage.





  • Huge backyard: more likely a geometric nightmare on a goofy shaped lot.





  • Indian artifacts: I've seen properties touting the supposed existence of Native Americans. Aren't most haunted houses built on Indian burial grounds? No thanks...get ouuuuuuut!!!!





  • Interesting: this means “goofy”. “Interesting” architecture means it was designed by Willy Wonka.





  • Intimate: yes, small and intimate like a sleeping bag in a pup tent.





  • Investment: another bulldozer moment.





  • Inviting: I kept seeing properties described as “inviting” and I imagine Count Dracula or Casper the Ghost “Velcome...do please come in.”





  • Just minutes from: four hours is 240 minutes, yes.





  • Landscaped: some people think this means “Has Garden Gnomes”.





  • List goes on and on: this means “I have nothing else to add.”





  • Lively neighborhood: drive-by shootings have been known to happen here.





  • Lots of extras: all the stuff you will need to replace, of course.





  • Maintenance free: yes, and the Titanic was “unsinkable”.





  • Manageable: I have no idea what this means. It's used often, and just takes up space.





  • Mayberry home: I saw a couple of homes described this way. So you want Barney to come visiting? Honestly, weren't all those characters safer within the confines of your television?





  • Modest: this is used to describe a shack. Think Beverly Hillbillies, pre-oil discovery.





  • Move in ready: it's never a good sign when they have to comfort you that you can move into your new house. It's like a waiter saying “and this food is edible.”





  • Must be seen: the ad writer had nothing interesting to say, and could get no good photos.





  • Nature: the raccoons from the landfill have come for a visit.





  • Needs love: needs bulldozer.





  • Neutral colors: the small space for the advertisement was partially used to tell you that the walls are painted in neutral colors. This is not a good endorsement for the rest of the property.





  • Nice: a space filler which means nothing. The ad writer was very bored by this home.





  • No exterior photos: because the interior will soon become a part of the exterior.





  • No interior photos: a man with 37 cats and no litter boxes lived here.





  • Nostalgic: old, like its previous owner. The walls are trimmed with pictures of roses, and the place smells like the person who lived here for five decades.





  • Old fashioned: you will need to replace almost everything.





  • Old world style: it's supposed to look European, but they likely failed. Gaudy. I've been to the old world, and trust me...stick with New, mmmmkay?





  • One of a kind: was modified by Willy Wonka or the UnaBomber.





  • One owner: hasn't been updated since the owner last had any energy, before installing the Stair Master. Time machine.





  • Opportunity: the bulldozer has just arrived.





  • Original: a more time consuming way to say “old”.





  • Oversized garage: this means you can fit some shovels and rakes next to the car. If it's a one-car garage, then it's a one-car-plus-mower garage.





  • Owner is installing: and doing a fast and sloppy job just to get it done.





  • Owners are moving: my jaw dropped when I saw this in an ad. I certainly HOPE the owners are moving!!!





  • Pantry: any time the writer felt it necessary to mention this small space, the rest of the news is not good.





  • Partially fenced: one of your neighbors has a fence; you don't.





  • Partially finished: the owner got a For Dummies book and couldn't master the instructions.





  • Potential: this could potentially be bulldozed to make room for a real house.





  • Private: finally a house that's private. I am getting sick of all these properties with installed webcams for public worldwide viewing, really.





  • Private hot tub under the stars: somebody built this out away from the house where you will never use it except to store some yard tools. I don't know why the need for letting me know that my new hot tub will be private, unless maybe it's common for some homeowners to post signs in their yard: PUBLIC HOT TUB OUT BACK!!!





  • Project: this will be the rest of your life.





  • Quaint: imagine Alice in Wonderland, when she says “Curiouser and curiouser”. You'll be curious about the character of the builder or owner, for sure.





  • Quiet: there is no noise here for a reason: nobody wants to live here.





  • Right off the highway: if you're a lucky, there's a wall between you and the semis roaring past your new dream home. Invest in earplugs.





  • Rolling lot: plenty of exercise opportunities as you push your mower up a 45% angle. The word “rolling” is supposed to make us think of some idyllic country living, but here it is a verb, referring to how the mower keeps slipping from your grasp, rolling down, down...down...boom.





  • Root cellar: this is where they kept Timmy.





  • Rural: unless this property is indeed out of town (and wouldn't we already know this by looking at the map?), this word rhymes with “landfill”.





  • Rustic: the UnaBomber lived here.





  • Scenic: my idea of “scenic” is different from yours. I imagine a strip-joint across the street.





  • School: if we have kids, we like that the school is close enough that they can get there somehow, before the bell rings. We don't need it next door, thank you very much.





  • Secluded: Keep an eye out for those federal government warning signs. Something is very wrong with this place.





  • Spacious: poorly designed home. The living room is better suited for raquetball.





  • Starter home: Frodo Baggins or Oompa-Loompas can live here, not you.





  • Storage: home was so poorly designed that there's a lot of space useable only for storage.





  • Sunlit: the room is facing the south and it has windows. Big deal, big AC bill.





  • TLC: they mean “tender loving care” but it really means “this looks collapsed”.





  • Trees: this can be a good thing or a bad thing. An old fence row full of messy silver maples or mulberries is an “investment opportunity”.





  • Unique: again, Willy Wonka comes to mind.





  • Vacant lots: this often means that bulldozers have been active in this neighborhood, and the lots are places for neighbors to dump garbage.





  • Victorian: it seems common in the Midwest to label any house with some frilly woodwork as Victorian.





  • Vintage: this word is now being used to describe hand-me-down clothing stores. I don't want vintage underwear and I don't want a vintage home.





  • Walking distance of: this really should be a commercial zone, not residential.





  • Walking trails: at the end of the trail is where the owner of this rural property dumped stuff.





  • Woods: on the other side of the woods is the landfill.





  • Workshop: an unfinished room, most likely used for storage.





  • Wow!!! the facts were not good enough, so writer had no other way to get your attention.

Thursday, July 8, 2010

Uncle Junk



At noon that Saturday, Lisa found nothing interesting to do in her living room except to pick fleas off Poe. In the feeble, flickering glow of one candle she spotted another flea stumbling madly through the cat’s fur to escape her pursuing fingernails.
“There now, Poe—hold still.” The cat purred and stretched his white belly. Lisa scraped her nail under the fur and snatched the disoriented flea between her fingers. Life struggled briefly before she dropped the flea into the pool of hot wax cradled within the fat candle. She gazed at the flea and thirty-one others trapped as though in amber. The flea’s tiny legs twitched their last.
“Dead, Poe,” she whispered, ignoring the growl of her hungry stomach. Poe wiggled on his back and pawed at her hand for more attention. She should eat, she thought, but there could be more fleas. There always were. As she combed her black nails through Poe’s fur again, she was startled by the sound of voices from outside. Loud, manly voices, followed by the rattle of a delivery truck door rolling up. Poe mewed.
“Shh, baby.” Lisa uncrossed her legs and winced; she had sat on the floor for hours and her legs cramped in protest. She crawled to the front window, but she didn’t dare push back the curtain for fear of being seen. Motionless, she crouched under the window and listened.
A man coughed. “This is the place.”
“Looks condemned. Yard ain’t seen a mower this year.”
Lisa’s breath caught in her chest. They are talking about my house. Her lungs tightened and she looked frantically around for her inhaler. Heavy footfalls echoed on the walkway outside. Her inhaler had been on the floor right beside her. She scrambled to Poe and lifted the limp cat, but the inhaler was not there. The men’s voices grew louder, closer. Her heart pounded, her breaths quick and short. Where did I last see my inhaler? She cleared aside several fast food bags, sending roaches scurrying across the carpet, but the inhaler was not there. Boots scraped on the doorstep, muffled voices just outside the front door. Poe shrank from Lisa’s searching hands, and he streaked into the kitchen. She couldn’t breathe; her heart throbbed louder and louder in her ears. Standing, she felt her head swim, dizzy, the room spinning and tilting. The pounding, pounding—it was a knocking on the door—would not stop, rapping knuckles beating their way into her sanctuary, mocking her helpless attempt to find her breath, to find her inhaler.
And there it was. Her eyes caught the inhaler on the old pinball machine next to the front door. She grabbed the inhaler and shoved it between her teeth. The knocking at the door grew more insistent. With three quick puffs she inhaled the medicine, freeing her lungs.
“Anybody home?”
“Just a minute.” Her voice was weak and phlegmy as she undid the locks on the door. She tugged the door open a crack and sunlight blinded her.
“Are you Lisa Adams?”
Lisa nodded as she made out the silhouettes of three men on the front porch. “What do you want?”
“We have a delivery for you,” and as Lisa’s eyes adjusted to the light, she saw the man peer down at a clipboard in his hands. “From a Mister Harold Adams, in some funny-named town in Connecticut.”
Lisa cleared her throat and let the door open an inch wider. “Shinipsit.”
“Yeah…that’s it—got to be careful saying that one.” The other men laughed. The man with the clipboard turned it to face Lisa. “Just need you to sign—“
“What is it?”
“Huh? Oh, I dunno. Looks like junk if you ask me.”
One of the other men took a step forward. “Lotta scrap metal, Ma’am—whole truck full.”
Lisa squinted at the shipping invoice and the name, Charles Adams. Uncle Chuck. She’d not gone to the funeral last month. Why should she have? In all her twenty years she’d only met the man once. Weird old Uncle Junk, as she called him then, with his ramshackle mansion, curious gadgets and machines, all half-completed and strewn about every room. She remembered how, ten years before, she and her brother had gotten lost on purpose in one of the countless rooms of the house—a house of jumbled additions, built over the years in no particular sense of rhyme or reason. Most of the rooms appeared to have no purpose—just extra wings splayed out at odd angles leading to nowhere. She and her brother Todd had hidden behind a beautiful leather chest while their mother called for them from every room. Lisa remembered the musky leather smell of that box, and the peculiar whirring from inside it.
“Just need you to sign here, Ms. Adams.” Lisa jumped, startled as the deliveryman urged the clipboard and pen under her nose. “Where do you want this…stuff?” he asked as she scribbled her name on the dotted line.
“The living room, I guess.”
The men snickered. “Ma’am, we’ve gotta eighteen foot truck full from top to bottom. Why don’t you come out and take a look—“
Lisa shrank from the door and clutched at her inhaler. “No, I….”
“Nice day, out…a pale girl like you could stand some sun. Just come out and—“
“No…no, just—“Lisa struggled to not slam the door shut. “Put it in the backyard.”
The man frowned. “Fair enough, then….” Click, the door was shut.
Lisa leaned her elbows on the pinball machine and sucked on her inhaler. Oh God, not today. Not today of all days. Nothing works right. Not even this stupid pinball machine. Why did I ever buy this thing? She kicked the machine and took another breath from her inhaler. Todd will be here soon. At that thought she peered around the living room. “Poe, we have to straighten up this place!”
Hearing his name, Poe scampered from the kitchen and rubbed against Lisa’s legs as she gathered up the empty fast food sacks. She raced to the kitchen but found the trashcan overflowing with garbage. After a frantic scan, she opened the cabinet under the sink and tossed in the sacks--rotten burgers, fries and cockroaches included--and slammed the door shut. The deliverymen struggling with the backyard sounded as though they were just outside the front door. Lisa hurried to make the living room presentable for her brother.
After an hour, she had cleared a path from the front door to the couch.
* * *
A pounding on the door awakened Lisa, and she rolled off the couch. Todd was here. In her hurry to get to the door, she almost tripped over Poe. She pushed her hair out of her eyes before she unlocked and opened the door. The three deliverymen stood on the porch, their shapes haloed by the orange sunset. The smell of sweat wafted into Lisa’s nostrils.
“All done, Ma’am,” said the first deliveryman. “We piled it as best we could behind the house.”
“Umm, thank you.”
“This, however, was marked for inside delivery.” The man gestured to a large box at his feet.
“What is—“
“Dunno, a chest of sorts—damn heavy.”
Lisa closed the door an inch as the other men strained their necks to peer into her house. “Just leave it there and I’ll bring it in later.”
“Ma’am, it’s awful heavy. Took them two both to get it up here.”
“It’s okay, I’ll have help soon,” she said from the cracked doorway. The man shrugged and she shut the door and locked it. She pressed her ear to the door and listened to the men’s muffled voices as they trudged back to their truck. Doors slammed, the engine rumbled to life, and the truck slogged up the road. After the sound had finally died away, Lisa unlocked the door and opened it just a crack to peer outside at the box, its surface smooth and brown.
Whir—Click.
Lisa jumped back at the sound from the box. Without moving, she listened patiently from the doorway. But the box was silent. Lisa fumbled for her inhaler on the pinball machine, and opened the door wider. Without stepping out of the doorway, she grasped a handle on its side and tugged. The box barely moved. With both hands she pulled on the handle and dragged it through the doorway and into the house. After she shut and locked the front door, she retrieved the candle and held it close to the box to examine it.
Lisa saw it was actually a chest, all covered in a smooth, brown material. The musty scent of leather rose from it as she brushed dust off its top. Uncle Junk’s chest!
“What’s inside, Poe?” Lisa searched the chest’s sides for a latch as Poe tentatively sniffed at it. “How does it open?” Lisa could find no cracks in the chest, nor any mechanism for opening it. Poe purred and rubbed against it.
Bzzzz.
Poe shrank from the chest, arched his back and hissed. Lisa also scooted away from the chest, and she listened breathlessly for the chest to make another sound.
Ring! Lisa jumped up and grabbed the telephone on the pinball machine. “Hello?”
“Lisa, I can’t make it tonight—too much paperwork.”
“You’re going to work yourself to death.”
“At least I have a job.”
Lisa sneered at the receiver. “Todd, don’t start on me again.”
“Okay, but I’m coming over tomorrow, so be there. Never mind--you’re always there.” Lisa didn’t answer. “You okay?”
“Yeah, just a weird day.”
“Weird? How can you have a weird day? You never do anything. That loser boyfriend didn’t show up again, did he?”
Lisa touched the bruise over her eye. “No.”
“Good, you tell me if he does and he’ll be sorry. No charge.”
Lisa snickered. “I thought all you lawyers were about money.”
“Money for a legal service, not illegal, Lisa. I never sold drugs like some people.”
Lisa bit her lip. “I hate it when you’re this way, Todd. See you tomorrow.”
She slammed the phone down, causing the pinball machine to shake. One of its balls was dislodged and rolled down a track. Poe meowed. “I wish this pinball machine worked, Poe,” she said with disgust. “I wonder how much I could get for it. I could buy you that fancy cat food on the commercial with the fluffy white kitty.”
At that, the chest behind her made a loud burping sound, and Lisa whirled to face it. “And what the hell are you supposed to be? Some great inheritance—a burping box and a heap of scrap metal.” Lisa almost expected a response, but the chest only sat in heavy silence. Finally, she shrugged, picked up Poe and her candle and went to bed.
* * *
The first thing Lisa did the next morning was peek out the kitchen window at the backyard. Sitting in the middle of the yard was a pile of scrap metal: warped sheets of aluminum and tin, twisted metal chairs, tangles of copper wire, crumpled sheets of steel, and all other sorts of useless junk. What the hell am I going to do? This time the landlady will kick me out for sure. Already two months behind on rent, the lawn, the broken window in the bathroom. And now there’s a mouse hole in the wall. I’ll have to pay somebody to take that junk away. I need money—Todd’ll kill me if I ask for more, but I have to.
Lisa hurried to the phone, hoping she could catch Todd before he left his house. “He’ll understand—I didn’t do this. How could I know I’d get a pile of shit dumped on me? Weird Uncle Junk. Todd’ll understand—he has to.”
As she picked up the phone, she bumped the pinball machine. Suddenly the pinball machine lit up and began playing music. The phone dropped from her hand and clattered onto the top of the leather chest. She stared aghast as a pinball popped into play, ready to be sprung into action. With trembling hand, Lisa pulled back the launcher and sent the ball flying up its track. The pinball machine worked! The ball bounced around and the score display turned rapidly. She tried the levers and they flipped the ball sharply back into play.
“Awesome,” Lisa breathed. As she was getting into her game, a sound from the leather chest startled her and she jumped; it was the phone protesting that it was off the hook. Just as she picked up the phone and hung it up, it rang and she shrieked in alarm. The phone flew from her hand and onto the floor, and the ringing stopped.
Poe sauntered to her and pressed his face against her knee as she squatted to retrieve the phone. “Poe, did you fix this pinball machine?” The cat purred and gazed up at her. “You’re a good little boy, yes you are. I wish I could get rid of all your fleas, you poor thing—“ Her eye was caught by something small and shiny. It zipped silently across the carpet and into the kitchen where it disappeared through the new mouse hole in the baseboard.
Lisa squinted at the hole. What she had seen looked like no mouse. It was shiny, like metal, and it moved in a straight line like no mouse ever ran. She picked up Poe and went to examine the hole. With her finger she traced its edges and found it was a perfect arch, its edges smooth as though cut by a jigsaw. Poe squirmed out of her arm and sniffed the hole.
“You’re not doing your job, Poe. Mice are supposed to be afraid of cats.” She stood and peered out the back window again. The scrap heap was still there, taunting her fear of the outside. Then she saw something in the pile shift and fall: a coil of wire tumbled to the bottom of the pile and slowly unraveled. “I’ve really got to get rid of that mess before Mrs. Whithers finds it. I hate her. I wish she were dead, old hag.”
Whirrrr, Burp.
Lisa turned to the chest. She noticed at its bottom a small panel she had not seen before. It opened and out shot a shiny disk that whizzed toward her. She screamed and hopped up onto the kitchen counter, scattering dirty dishes to the linoleum. Glass shattered across the floor and a shard almost hit the disk as it fled out the mouse hole. Poe scampered toward the hole, almost as an afterthought.
“You’d never catch a mouse that way, Poe,” Lisa said as she dropped to the floor. With her foot she swept the broken dishes aside. She shuffled to the chest and peered at the open panel.
Click, the panel shut.
She tried to open the panel, but she couldn’t find its edges; the side of the chest was smooth with no sign of any panel. Lisa wrinkled her nose at the chest and kicked it. A battering on the front door caused her to jump, and she leapt to her feet to unlock the door. As soon as she undid the latch, the door burst open.
“Todd, what—“She stumbled back as her ex-boyfriend slammed the door behind him. His wild eyes under a mop of stringy blond hair quickly surveyed the room before they pinned her where she stood. His body emitted a cologne of whiskey, pot and gasoline.
“Where’s my money?” he said, kicking Poe with a greasy boot.
“Todd’s bringing it. Get out of my house, Rusty.”
Rusty seized her wrist and pulled her into his unshaven face. “You said that last week—either give me my money now, or I’ll take something else.” His other hand groped for her breast under her tee shirt. “Sell some more stuff for me, baby and we’ll call it even.”
Lisa tried to knee him between the legs but he wrenched her arm and forced her to the floor. “You’re hurting me,” she cried, and as she clawed at his face, he landed on her stomach, knocking the wind out of her, and crushed her clawing fingers in his powerful grip.
“Aren’t you the feisty tigress,” he laughed.
She struggled to free her hands from the carpet. “If I was a tigress I’d rip you to shreds.”
“Too bad for you, all you’ve got is that flea-bitten kitty to help you.” As he started to rip off her shirt, the sound of approaching sirens caused him to stop and cock his head. The sirens got closer and closer until they sounded like they were just outside the house. He waited for the sirens to keep going, but they stopped, and the red and blue lights swirled under the crack of the front door. Rusty clambered to his feet and opened the front door to peek out.
“Ambulance next door,” he muttered. “Have my money tonight. I’ll be back, bitch.” Just before he slipped out the doorway, he smacked the phone off the pinball machine. The door banged shut and the phone smashed to pieces against the wall.
Lisa peeled herself from the carpet and rubbed her wrists. “I wish a tigress would rip you to shreds, Rusty!” she sobbed.
Click. Bzzzzt.
* * *
From the cracked door, Lisa watched the EMT’s slide Mrs. Whithers’ body into the back of the ambulance. Gaggles of neighbors stood in the old woman’s front yard.
“Slit her own throat,” said one neighbor, shaking her head. Radios buzzed and crackled. Police gently shooed the gawkers back home.
Lisa shut her door softly and sat cross-legged on the floor. Poe curled in her lap. “Poor lady—can’t believe what she did to herself.” Yeah, and I wanted her dead, remember? Poe purred and Lisa unconsciously began searching for fleas in the cat’s fur. Wanted the old hag dead just because I couldn’t pay rent. What a lousy person I am. “Wasn’t my fault, Poe.” The cat pawed at her searching hand. “People who only care about money are unhappy. Poor old lady. We’re happy, aren’t we, Poe?”
Lisa squinted closer at the cat’s fur and realized she hadn’t found a single flea. She drew the candle closer and combed both her hands through Poe’s fur. Usually this exposed the fleas and sent them scattering; yet Lisa saw no fleas. Curious and almost disappointed, she rolled the limp cat around in her lap. Then she saw one—a big one—and snatched it. Expertly, she maneuvered it between her nails and crushed it. She was surprised the flea didn’t pop, and she dropped it into the hot wax. The flea, twice the size of any flea she had ever seen, swam through the wax and crawled unfazed to the edge of the candle. Just before it sprung away and out of sight, Lisa noticed it gleamed as though plated in silver, and its front legs looked like tiny scalpels. Shuddering, Lisa pulled Poe away from the direction where the strange bug had bounded.
Just as she started to search the carpet for the insect, a loud metallic crash reverberated from the back of the house. Fearing that more dishes had fallen in the kitchen, she went to investigate, but saw nothing that might have caused the sound. Then, through the back window, she noticed the heap of metal in the yard had changed: it appeared several pieces were missing, and the pile had sunk. In front of the pile was a framework of sorts that she had not noticed before. A vaguely cylindrical shape stood horizontally on four legs of curved metal. The object had no straight lines or flat surfaces, like a sculpture carved by Mother Nature.
“I’ve got to get Todd over here to help me get rid of Uncle Junk’s junk.” She turned to stare at the pieces of busted phone on the floor. “But I need a working phone first.”
Clink-Bzzzt.
The panel on the side of the chest magically appeared and slid open. Out from the darkness inside the chest whizzed three metal disks, the size of watchcases. Lisa pressed against the wall and watched in alarm as the disks scooted to the telephone. Sharp implements protruded from the disks as they drew near the phone, and Poe crouched to spring upon the whirring gadgets.
“No, Poe!” Lisa scrambled to scoop up the cat, and she back-pedaled to the safety of the kitchen counter. In fascination she watched as slowly her phone was reassembled. Sparks flew as the disks welded wire. Wisps of smoke floated from the phone as broken plastic was mended. Screws turned and plastic snapped to metal.
After fifteen minutes, the disks retreated into the chest, and the panel clicked shut and vanished. Lisa gaped at her phone, whole again and like new. She inched for the phone, keeping her eye on the silent chest, and picked up the receiver. A dial tone answered her—the phone worked.
“What the hell—“She started to key in Todd’s number when she was startled by another metallic clatter from the backyard, and she hung up the phone to peek out the window. In the dim light she saw the framework had changed, and that it was taking the shape of some monument of a four-legged animal. A long tail, like a tight coil of steel projected from the hindquarters, and the entire body was now laminated with metal. The metal skeleton of a massive head was forming before her eyes. She squinted and saw tiny disks and other shapes scurrying all over the structure. Suddenly a shower of sparks erupted from the head as the gadgets began welding another plate. Lisa stared, unable to pull herself away from the assembly in her backyard.
Zzzzzing.
Lisa hurdled to one side as another disk raced in through the baseboard hole; the chest opened its gullet and swallowed the miniature vehicle. What is this thing, Uncle Junk? Her gaze drifted back to the repaired phone, and she got an idea.
“I wish the broken glass wasn’t on the floor anymore.” She watched the chest, almost expecting to hear it answer her in Uncle Junk’s crusty voice.
Burp. The panel slid open and two disks whooshed out. They darted all over the kitchen floor, and Lisa jumped onto a chair. Quickly, the tiny glass particles on the floor vanished as the disks passed over them. With just as much speed, the disks vanished back into the chest. Lisa dropped to the floor and inspected it. Dust, dirt, crumbs were left untouched; not a speck of glass remained. Poe searched the floor with her, and finding nothing of interest, rubbed against her.
“Poe, that…thing got rid of your fleas!” Lisa squealed, hugging the cat. “I just said I wished I could get rid of all your fleas, and it did the rest.” Poe purred in her arms. “Oh, what a wonderful device.” She approached the chest in wonder, staring at it with a new appreciation. “A treasure chest--it fixed my pinball machine and the phone. What else can it do, Poe?”
From far away outside, the wail of a siren mourned.
Lisa let Poe drop from her hands. “Oh my God.” Her heartbeat pounded in her temples. She scrabbled for the inhaler on the pinball machine. “I’ve killed Mrs. Whithers!”
Clunk—Bzzzt, answered the chest. Lisa stumbled to stare out the window. The metal tigress was almost complete. A faint greenish glow glimmered from the machine’s eyes, and its massive head rotated to face her. The tip of its tail flicked impatiently as its metal hide bustled with disks rushing to complete their final touches.
She didn’t feel herself slump to the floor, nor did she see Poe sprawl into her lap. The pounding on the door, she could not hear it.
“Lisa, open up or I’ll bust down the door,” Rusty’s voice called. Lisa awakened from her daze. The doorknob rattled violently. “I swear I’ll bust it down!”
Lisa ignored the sounds outside the door, didn’t see the wood splintering or the hinges shuddering. The only sound she heard reverberated from the backyard--a growl like the ignition of an enormous motorcycle.
She parted her dry lips and licked them. “I wish Uncle Junk’s chest would destroy itself.”
The electrical drone and mechanical clatter of the chest’s suicide mission almost drowned out the sounds of ripping flesh, the screams and gurgle of death from beyond the door. Lisa found her inhaler and puffed.
The medicine was gone.